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Dieci Perché sulla Repubblica:

Dieci Perché sulla Repubblica:

Piero Melograni

Piero Melograni. REPRINT P. MELOGRANI DIECI PERCHÉ SULLA REPUBBLICA PIERO MELOGRANI DIECI PERCHÉ SULLA REPUBBLICA Milano 2013. Front Cover.
Wolfgang Amadeus Mozart: A Biography

Wolfgang Amadeus Mozart: A Biography

Piero Melograni

A comprehensive biography of eighteenth-century Austrian composer Wolfgang Amadeus Mozart that chronicles his life, his music, and the mystery concerning his death and burial.
Piero Della Francesca

Piero Della Francesca

Marco Bussagli

Piero must have been working for him from 22 January 1459, when Pope Pius II left the pontifical seat to go to Mantua where he called a crusade (but without success) against the Turks to whom the Eastern Empire had fallen in 1453. Piero  ...
Piero Manzoni

Piero Manzoni

Piero Manzoni

Published on the occasion of the Piero Manzoni exhibition at the Serpentine Gallery, this volume documents the artist's entire career and contains many images previously unpublished.
The Culture of San Sepolcro During the Youth of Piero Della ...

The Culture of San Sepolcro During the Youth of Piero Della ...

James R. Banker

This book is not a traditional stylistic examination of Piero della Francesca's paintings, which have been the focus of admirable books by art historians.1 Piero is intriguing not only because of the beauty and innovations of his paintings but also ...
The Letters of Arturo Toscanini

The Letters of Arturo Toscanini

Arturo Toscanini

(ny); p.s., at; to piero weiss, 246th street at independence avenue, riverdale, new york; coll. of piero weiss 28 July 1947 My dear Piero . . . Yes, I remember very well that you mentioned the Agnus Dei of the “Petite Messe” to me, but I did not ...
The Enigma of Piero: Piero Della Francesca

The Enigma of Piero: Piero Della Francesca

Carlo Ginzburg

Looks at the paintings of Piero della Francesca, including the "Baptism of Christ" and the Arezzo Cycle, and provides insight into the lives of patrons and the intriques found in the paintings.
Deep storage: collecting, storing, and archiving in art

Deep storage: collecting, storing, and archiving in art

Ingrid Schaffner

Bibliography V. Greco, '8 questions to Piero Manzoni' In II Travaso, Milan, 5.10. 1959 □ Ger- mano Celant, Piero Manzoni (cat. of works), Milan 1974 □ Freddy Battino, Piero Manzoni: Catalogue Raisonni, Milan 1991 □ Gerald Silk, 'Myths and ...
Un folle amore: la collezione Luigi e Peppino Agrati

Un folle amore: la collezione Luigi e Peppino Agrati

Germano Celant

165 Piero Manzoni Soncino, 1933 -Milano, 1963 Bibliografia essenziale Germano Celant, Piero Manzoni. Catalogo generale, Milano, Prearo Editore, 1975; Freddy Battino, Luca Palazzoli, a cura di, Piero Manzoni. Catalogue raisonné, Milano ...
Piero Di Cosimo: Visions Beautiful and Strange

Piero Di Cosimo: Visions Beautiful and Strange

Dennis Geronimus

In this book, Dennis Geronimus overcomes the scarcity of information about the artist’s life and works—only one of the nearly sixty known works by Piero is actually signed and dated—and pieces together from extensive archival research ...
A Challenging Reform: Realizing the Vision of the Liturgical ...

A Challenging Reform: Realizing the Vision of the Liturgical ...

Piero Marini

Realizing the Vision of the Liturgical Renewal, 1963-1975 Piero Marini Mark R. Francis, John R. Page, Keith F. Pecklers. Conversations and statements, unless otherwise attributed, are from the personal notes and memory of the author.
Ladies and Gents: Public Toilets and Gender

Ladies and Gents: Public Toilets and Gender

Preview

For more on Manzoni's Artist's Shit, see Germano Celant, Piero Manzoni (Paris: Musée d'art moderne de la ville de Paris, 1991); and Freddy Battino, Piero Manzoni: catalogue raisonné (Milan: Vanni Schweiler, 1991). 25. A. C. Grayling, “ An ...
Oxford History of Western Music: 5-vol. set

Oxford History of Western Music: 5-vol. set

Richard Taruskin

Angelo Solerti, in Le origini del melodrama: Testimonianze dei contemporanei ( Turin: Fratelli Bocca, 1903), p. 56, trans. Piero Weiss in Piero Weiss and Richard Taruskin, Music in the Western World: A History in Documents, 2nd ed., p. 143.
Piero Della Francesca and His Legacy

Piero Della Francesca and His Legacy

Marilyn Aronberg Lavin

An international quincentenary assessment of the Italian monary of painting.
Opera: A History in Documents

Opera: A History in Documents

Piero Weiss

In addition, he offers original translations of more than half of the selections in the book, many of which appear here in English for the first time.
Music in the Western World

Music in the Western World

Piero Weiss

Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Piero Di Cosimo: Fiction, Invention, and Fantasìa

Piero Di Cosimo: Fiction, Invention, and Fantasìa

Sharon Fermor

Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Piero Della Francesca: San Francesco, Arezzo

Piero Della Francesca: San Francesco, Arezzo

Marilyn Aronberg Lavin

This beautiful series lavishly illustrates the world's major fresco cycles from the early fourteenth through the seventeenth centuries.
Introducing Alain Badiou: A Graphic Guide

Introducing Alain Badiou: A Graphic Guide

Michael J. Kelly

Author's acknowledgements I would like to thank some of the people who have contributed, in complementary ways, to the “eventing” of this book: Duncan Heath for his editing and publishing efforts, constant support and patience. Piero for his  ...
Piero Sraffa: Critical Assessments

Piero Sraffa: Critical Assessments

John Cunningham Wood

The articles have been chosen to cover all aspects of Sraffa's work, from the theory to the practical application. These volumes will be an invaluable reference for anyone studying the development of modern economics.
True Relations: Essays on Autobiography and the Postmodern

True Relations: Essays on Autobiography and the Postmodern

Hofstra University

I am particularly grateful to Contessa Elena Manzoni and the Archivio Opere Piero Manzoni and to Freddy Battino and Luca Palazzoli for their cooperation in providing material for this chapter. Translations are mine, unless otherwise indicated.

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